Lockhart, Paul. "A Mathematician’s Lament."
Http://www.maa.org/devlin/LockhartsLament.pdf. Mathematical Association of
America, n.d. Web. 2 Apr. 2013.
I am reading this article because I remember that it begins
with the author's nightmare scenario wherein the math curriculum we use is
applied to music and then visual arts. I use a musical instrument analogy in my understanding of how mathematics can be taught as
well. I am also reading it to buttress
my ideas about the problems with teaching procedures rather than investigating
and exploring. Rather than having fun
with shapes numbers and problems.
General Reflection
I found this article difficult to read. It was inspirational at times especially
when h described mathematics as art and sharing and inspiring with
anecdotes. He was logical and compelling
in imagined interviews between Simplico and Salvate. Simplico would play the role of asking the questions
on the minds of the incredulous reader and Salvate would correct his
misperceptions. I looked the names up
and didn't quite have time to process the references but I am sure they are
meaningful.
Most of his time, though is not spent inspiring, it is spent
railing against mathematics curriculum as it now stands and many of his
positions resonate with me. He laments
the lack of real problems in math curriculum, the regurgitation of facts, the
substitution of exercises instead of real honest to goodness creative problems,
the over codified approach to teaching mathematics concepts, the lack of
student discovery.
Even though much of what he says resonates with me,
honestly, I'm not sure what to make of it all.
I like the application of mathematics towards useful purposes and on
this point we disagree. But I find it
difficult to think and read Lockhart at the same time because he is so
righteous, so confident of his views that it is difficult to think critically
about what he is saying lest you become part of the very thing he is raging
about. He also strikes me as close to brilliant
and brilliance combined with righteous indigination is difficult to parse
critically.
Another takeaway that I have from this article is that the
way I wish to teach mathematics is not the way I was taught mathematics and
that becoming a good problem based facilitator will require honesty and
acceptance that it will take time and there are discoveries that I need to
makes as well.
Musical Analogy
The analogy of a path through music that does not allow
students to actually play until years after they have studied the minutia of
music is an interesting one. I think think that a music instrument is an
especially good metaphor for how I currently think about mathematics
instruction, but I think it differs from Lockhart's view. I think of both the play and the practice of
the instrument as needing to be stressed.. Having lived for many years with a
professional jazz and classical musician I can tell you that much of her time
is spent practicing. Same this for my
uncle who is a professional musician.
Every morning us spent doing scales.
They are both amazing musicians and both practice all the time. With mathematics I think about practice as
something that reduces the cognitive load of more interesting problems and
let's one engage in more interesting problems.
Of course it is pointless to practice scales all day if you don't get to make music and
make people love you and all the great things that go along with being a
musician. The instrument analogy also makes
me think of alternately acceptable paths to understanding. For instance I know a classically trained
musician who has played in major orchestras and is considered an expert in her
field, she realized at twenty something years of age that she was completely
incapable of improvising. There were
kids who had only been playing for five years who could create music on the
spot and express themselves in ways she could only dream of and some of them
could not even read music. This did not
negate the path that she had taken through music but i made her aware of the multiple paths and
approaches. She has spent many years since mastering the art of improvisation
and today is able to bring both of the approaches to bear on her art form. This is sounding tangential o mathematics but
I this about the debate about approaches to mathematic and wonder if again we
are not talking about either or propositions,but instead both propositions.
Random quotes and responses
"So we get to play and imagine whatever we want and
make patterns and ask questions about
them. But how do we answer these questions? It’s not at all
like science. There’s no
experiment I can do with test tubes and equipment and
whatnot that will tell me the truth about a figment of my imagination. The only
way to get at the truth about our imaginations is to use our imaginations, and
that is hard work." p4
Math for it's own sake is exciting but I wonder if it's
appeal is a wide spread as Lockhart claims.
I project based learning I find that student enjoy the practical
applications of mathematics.
"By removing the creative process and leaving only the
results of that process, you virtually guarantee that no one will have any real
engagement with the subject. It is like saying that Michelangelo created a
beautiful sculpture, without letting me see it. How am I supposed to be inspired
by that? (And of course it’s actually much worse than this— at least it’s
understood that there is an art of sculpture that I am being prevented from
appreciating)." p5
This reminds me of the idea that the problem is not about
the answers it is about the questions and the evidence of thought. You don't read just the last page of the book
you want to experience the whole thing and only then does the last page have
meaning for you.
"It would be bad enough if the culture were merely
ignorant of mathematics, but what is far worse is that people actually think
they do know what math is about— and are apparently under the gross
misconception that mathematics is somehow useful to society!"
Lockhart has a lot to say about the idea that mathematics
should be studied because of its usefulness, that it is useful, is not nearly
the most significant and beautiful about his conception of mathematics. Although, he contradicts himself when talking
about the beauty of story of the circumference of the circles.
"SIMPLICIO: So you blame the math teachers?
SALVIATI: No, I blame the culture that produces them. The
poor devils are
trying their best, and are only doing what they’ve been
trained to do.
I’m sure most of them love their students and hate what they
are being
forced to put them through. They know in their hearts that
it is
meaningless and degrading. They can sense that they have
been made
cogs in a great soul-crushing machine, but they lack the
perspective
needed to understand it, or to fight against it." p17
These kind of statements make Lockhart difficult to
read. He is not the only beacon of light
in an otherwise dark world. I am not
sure how to summarize what I think he is doing in this statement. He is suggesting that we are crushing the
souls of the students we love - with out question. But he is offering us an out if we admit our
lack of perspective and admit that we are powerless cogs in a greater machine.
He also claims to know my heart. I
dunno, I think if he was talking directly to
me at this point I might yawn.
"SIMPLICIO: So we’re supposed to just set off on some
free-form mathematical
excursion, and the students will learn whatever they happen
to learn?
SALVIATI: Precisely. Problems will lead to other problems,
technique will be
developed as it becomes necessary, and new topics will arise
naturally.
And if some issue never happens to come up in thirteen years
of
schooling, how interesting or important could it be?
SIMPLICIO: You’ve gone completely mad.
SALVIATI: Perhaps I have. But even working within the
conventional framework
a good teacher can guide the discussion and the flow of
problems so as
to allow the students to discover and invent mathematics for
themselves. The real problem is that the bureaucracy does
not allow
an individual teacher to do that. With a set curriculum to
follow, a
teacher cannot lead. There should be no standards, and no
curriculum.
Just individuals doing what they think best for their
students." p23
I think this section is pretty powerful. It seems to have vision for the future and
for the present. Maybe we can work
towards a point where mathematics can be a freeform excursion. But if that is the unreachable we can still
'teach' mathematics so that it is a process of discovery.
1 comment:
Bryan~
I liked reading about the music analogy and how you are making it your own. I wonder if you would find the research on deliberate practice relevant to what you are wondering - especially the work by Erikkson and Cushman. (You can check out Mark Anderson's DP or book for some great sources since he focused on this in his AR, which was focused on band!)
I have been wanting to read this book for some time, and now I really want to! Thanks for such a thoughtful analysis and reflection on this work. I'm curious, what do you think this could look like in your own classroom? Do any next steps come to mind?
If you haven't already, I think Bryan Meyer at HTHNC would be a fantastic living resource for you to reach out to! He could point you toward some interesting stuff!
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