Introductory Paper on Critical Explorations in Teaching Art, Science, and Teacher Education
Cavicchi,
E., Chiu, S., & McDonnell, F. (2009). Introductory Paper on
Critical Explorations in Teaching Art, Science, and Teacher Education. New Educator, 5(3), 189-204.
Summary/Analysis:
This
paper serves as an introduction to a series of three more papers that
examine critical exploration in three separate classrooms (art, science
and teacher education). The art teacher explored Chinese brush painting
with middle school girls, the undergraduate science class investigated
mirrors and the teacher education students explored seeds, pendulums and
the moon. It is focused mainly on the theory behind critical
exploration, the dynamics of a classroom where critical exploration is
happening and the potential for student and teacher growth that can
result.
Critical
exploration is a classroom practice introduced by Eleanor Duckworth
based largely on research of Jean Piaget and Barbel Inhelder. The work
of psychologists Piaget and Barbel indicates that children construct
their knowledge by relating actions to outcomes associated with the
actions. Through exploration/experimentation a child may reach a
“stage” where, temporarily, the outcomes associated with their actions
cohere with their expectations. Then, however, unexpected outcomes may
destabilize this coherence. Piaget called this destabilization
“disequilibrium.” He saw this as a time of rich growth where children
try new ways of acting or thinking and try to synthesize them with
previous actions. Critical exploration is the idea of using this
process actively and consciously in the classroom.
Putting this idea to work in the classroom can be disconcerting to the teacher as he/she must
“...[break] with the role of providing answers to students or telling them what to do.” Critical exploration is the idea of raising questions, unpacking ideas, tolerating spontaneity, wondering and discussing. These types of activities often “[compound] the risk that teacher and students experience” in the classroom. However, they can also lead to the type of “disequilibrium” that is the harbinger of meaningful growth.
“...[break] with the role of providing answers to students or telling them what to do.” Critical exploration is the idea of raising questions, unpacking ideas, tolerating spontaneity, wondering and discussing. These types of activities often “[compound] the risk that teacher and students experience” in the classroom. However, they can also lead to the type of “disequilibrium” that is the harbinger of meaningful growth.
The
paper claims that, in order for critical exploration to be effective in
the classroom there must be an triangular relationship between learner,
subject matter and teacher. This idea of a triangular relationship was
first expressed by David Hawkins. For the learning to be most
effective the relationship between the three should be equal and none
shall be dominant. For example, if the teacher takes a lead role, the
contributions from the student and from the subject matter may suffer.
If the subject matter and teacher dominate (as in a lecture for
instance) the student’s role is diminished.
The
subject matter itself is very important in this process. The subject
matter must have many facets and “problems veining through it” in order
to provide room for critical exploration. Duckworth refers to this as
the “complexity” of the subject matter. Students must be able to
explore the subject matter endlessly to give rise to “new ways to act,
observe and reflect...” It must have dimension. I imagine this as one
of the more difficult jobs of the teacher. Selecting the subject matter
with the appropriate level of “complexity” is crucial in critical
exploration.
Relevant Quotes/Concepts:
“Classrooms
have potential to be places for taking the risk of discovering how much
is unknown within what we thought we knew.”
“Duckworth
associates the ‘essence’ of teaching with providing opportunities by
which students may ‘have wonderful ideas’ that are expressions of their
learning.”
“...learners’
confusion is often a prelude to their keener involvement and the making
of connections or analyses that deal with significant puzzles in the
subject and the learners’ grasp of it.”
“It
appears ‘slow’ to teach by involving students in explorations by which
they may, or may not, generate understandings that are consistent with
those already formulated. Such objections to exploratory learning
privilege a certain type of efficiency and uniformity in information
transfer while ignoring the processes by which anyone’s learning becomes
sufficiently deep as to be usable in new, evolving situations.”
“That
multiplicity of paths, which a complex subject matter can sustain but a
simplified one cannot, is a means at the teacher’s disposal for
accommodating diverse learners in noticing for themselves its multiple
possibilities.”
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